I’ve been trying to build a second system for the living room. I scouted many local audio stores. I didn’t particularly find anything interesting at any of them so I went to Singapore. Singapore is famous for its’ vast selections of high-end shops, including hi-fi audio.
Initially, I was quite certain that I was going to buy Schiit Gungnir (DAC), Wyred 4 Sound mPRE (DAC + preamp), and ModWright KWA 100 (power amp). I’m already familiar with the latter and the former. The mPRE was what I wanted to audition. I was not going to buy them online or had them shipped to Jakarta without knowing how they perform. I didn’t plan on acquiring speakers other than Selah‘s. Dislaimer: I have never heard of how a decent pair of non-directional speakers sound like. The only way to do this is to audition them in person. This is why we need to support audio dealers. They help us make definite decisions.
I visited Raindrop Audio in 16 Waringin Park. The store is located right in the middle of a suburban area. It’s a bit difficult to find, but it’s actually a good thing as it is far enough from city noise. They are the sole distributor of W4S in Singapore, Malaysia, and Indonesia. Once I called them, informing I would be coming, they set up a listening session with exactly what I was looking for.
The setup: W4S Music Server – W4S mPRE – W4S mAMP (mono amp x 2) – Heed Audio Enigma 5 speakers
A Huge Surprise
I was already familiar with a few Wyred 4 Sound products as I’m currently using the DAC-2 and STI-500. This setup is different from any setup I have auditioned. It eliminates the need of a complete room acoustic treatments. Most of the time, with directional speakers, you need to set up the sound to be right in the middle of where the seating position is going to be. Even after the room acoustics are adjusted, you still can’t go around the room and expect the sound to sound just as good as at the seating position. The Heed Enigma speakers solve this issue. The sound is always full bodied and the resolution stays pretty much the same at different listening positions. There may be a slight degradation at extreme angle but I’m sure I will be more satisfied with them than with any directional speakers.
At Heed Audio, we have found that loudspeakers with a non-directional radiation pattern are best able to simply let the music into the room. At the same time, other things begin to happen. Rather than feeling compelled to sit rigidly in the “sweet spot”, it is possible to move to the right and left, forward or backward, up or down, and the music follows.
I came to Raindrop to audition Wyred 4 Sound and now, I think I’m going to buy a pair of Heed speakers. They just got a potentially long-term customer.
Heed Enigma 5
The Enigmas was not only excelling with little room acoustic treatment, they actually sounded pretty good. Ray, the owner of Raindrop played a few classical, they all sounded superb. As stated above, the sound was always full bodied. They did not sound thin or overly thick or heavy, they sounded just right. Usually, with complex passages and vocal, inferior speakers will definitely struggle, they are not inferior speakers, they are superb speakers. The Enigmas produced complex passages effortlessly. Vocal was also produced gracefully without any sign of glares and spikes. This sounds like to good to be true. Then, I looked at the speakers, the drivers are custom-made for them by Morel, one of my favorite brands. Heed does not skimp on build quality and it shows. After looking at the speakers, I went back to more listening sessions. The sound was never constraint. They sounded detailed, a bit on the warm side, full bodied, and never fatiguing. With opera, they sounded big. The soundstage was huge but still believable. The sound placement was great. It’s almost like I was being served by live music, with the performers performing in the room. Or better yet, it’s like listening in a jazz club. They sounded absolutely satisfying.
Wyred 4 Sound minis
No great speakers will sound good if not driven by equally great DAC, preamp, and amp. The digital front consists of W4S Music Server and the DAC section in the mPRE. I suspect, the W4S mPRE preamp section is a great one. Looking at the specs alone, it’s possible that it is equal or better than the marvelously good W4S STP-SE. The power amps are the W4S mAMP, two monos, powered by the newest ICEpower modules inside.
Unfortunately, I don’t think I will be buying them. I want to combine all those functions into one box, that can be found in a mINT. Hopefully the Heed speakers will sound just as glorious. If not, I can always purchase them.
The music server can be controlled via an iOS app. Ray was standing behind me during the audition and he did not even touch any of the minis in front of me. Everything seemed to run seamlessly. There was an ethernet cable connected on the back of the music server, thus no wi-fi signal interference.
As I said above, the sound produced by the speakers never felt constraint. The two mono amps never ran out of breath. Even during steep up and down, the amps easily drove the Enigma.
I like EJ’s approach in making the minis. They are pretty small compared to today’s huge hi-fi gears. I also like the shape of the box. It does not look like a radical new design, it is still utilitarian with more rounded shapes. The buttons are all well thought out. It’s easy to memorize what those buttons are for. There is a LED on every function. The remote is a cute and functional. Everything on the W4S minis scream quality.
I will be buying a pair of Heed Enigma 5 when I travel to Singapore in December. I suspect, most people will also be very satisfied with them as the sound is also a huge change compared to the usual directional speakers and you don’t need to invest heavily on room acoustic treatments. The only room acoustic treatment that Ray had in the room during the audition was a panel behind the speakers. Perhaps, that was a way to show that they only need a little treatment.