CEntrance is one of the few companies who offers driverless USB audio. They are not some companies who commission someone to make a product for them and label it as their own or a company who sells mostly overly hyped products that do not perform anywhere close to the high price tag, typically found on boutique brands. They are a design-engineering-driven company.
A lot of geekery trends were made mainstream by geeks and nerds. Geeks tend to be curious at new techs. Some of the techs are not necessarily ready for consumers but they still buy them. Thankfully, early adopters are now becoming public-beta-testers for those techs. A lot of bugs will be fixed, revised or even redesigned by the time the tech reaches mass-market.
In the early days of USB DAC, everybody did not seem to mind installing, maintaining, and updating drivers. Now, we want driverless solution. USB DAC solutions have matured to the point where we no longer have to tinker to use them. It’s now plug and play (on Macs).
Ever since I saw DACport for the first time, shortly after it is announced, I immediately felt this is the gear that I should try (partly because CEntrance is the maker). Normally, I don’t buy the first runs, I want to buy a gear that has been publicly tested. So, I purchased it. Long story short, it performs like a champ since day one. It’s been what? 3 years since its introduction and I hardly found anyone having problem with it.
Unlike many audio gear makers, CEntrance tries to keep much of the heavy-lifting to the gears they are making. Things like clean power, the need of isolated ground, ’boutique cables’, superb S/PDIF signal are not issues users must provide. They are actually helping us not worrying about those things and let us enjoy what really matters, which is good music, really. They are also not some random companies (some of them are quite famous) who sell half-baked gears.
As NwAvGuy wrote:
I completely agree some products are hastily thrown together using trendy components, made to look high-end, and rushed to market in search of quick profits. Other companies, like Centrance, take a much more holistic approach and put genuine high-end performance ahead of aesthetics and time-to-market. The quality of such products is more than skin deep and they pay a lot more attention to getting the normally hidden details correct.
As what I have written about NuForce uDAC-2, the DACport is the better product. But not by a wide margin. It’s definitely better in every area. Compared to the uDAC-2, I can immediately hear a sense of speed, space, precision, and airiness. You don’t feel constrained with little guy. I’m accustomed to great bass slams (quality, not quantity), DACport will give you that.
It’s a refinement of what the uDAC-2 should have been. I think it’s either Nuforce got lucky or improvements in audio is really that small. Either way, this is the benchmark of a USB powered USB-DAC. This will be a classic or it already is.
Compared to a desktop amp, say a Schiit Lyr (w/ stock tubes), DACport excels in a few areas like speed and airiness. When I’m out of the house, without my desktop amp, I don’t feel I need of anything more than the DACport. It doesn’t make me miss my Lyr. I’m perfectly fine without the Schiit amp. It is that good. And when I use it as a DAC, it performs even better. A friend of mine who also owns a DACport run it as a DAC for his speaker setup claimed that he couldn’t differentiate his desktop DAC and his DACport. Too good? Maybe. But I have heard quite a few people whose experiences match my friend’s findings.
For IEM, the gain is too high for my taste. I like to listen in low volume range and it barely allows me to do that. Fortunately, unlike many portable DAC/amp, this one does not suffer from channel imbalance. There is zero detectable hiss at high volume range. I would like to have a bit more wiggle room to fine tune the volume for IEM. That’s the only con that I can think of.
For full size headphone, like my Grado RS1i, it’s a great match. Grado is notoriously known for its ‘smallish’ soundstage. Well, DACport fixes that. It doesn’t sound like many artificial soundstage inferior amps produce. Its sound placement and precision are just right where I want them to be. All the great traits about Grado house sound are retained and refined. Bass is deep and articulate. Micro-details are presented in a manner that does not pierce my ears.
I think this is the best portable DAC/amp in the market.
I consider my HeadAmp Pico to be the best in class in term of build quality in portable amp/dac world. That remains true with the intro of DACport. There are slight misalignments here and there on the DACport but nothing worries me. The finish is also better on the Pico. But Pico is the best, to be fair without a comparison with Pico, DACport is still miles better than the rest of the competitors. Have you ever seen any iBasso amps? If you haven’t seen one, if DACport gets 10-point, iBasso gets 6-point. Don’t even think about looking inside, iBasso gets an even lower score. Pico and DACport are engineering marvel. Look now, my uDAC-2 is already dead and it’s only been 3 years. I expect DACport to last for a long time, maybe not as long as my home gears due to the stress it often gets from frequent travels.
The Highest Recommendation
This is it, look no further. You don’t need to follow the trend. New products will keep coming but DACport will still be one of the best. There are not many companies out there who have the resource and expertise to compete directly with CEntrance. This is purely them outmuscling the competitors. They set a benchmark of what a portable amp/DAC should be.